|
This is probably the best delay pedal in the world!
Guitar Player Magazine gave it the editors Pick-Award.
Just leave it on! - most players say.
It is hard to believe, that this delay pedal is digital. It gives the warmth of all-tube echo and also cool digital delay in studio quality. All with the convenience of one pedal.
TIME, REPEAT, MIX and LEVEL knobs allow for quick, precise control. A Hi–cut button cuts high frequencies on repeats - perfectly simulating the tone of a 60´s era tape echo.
With a simple flick of a switch you can alter the delay´s subdivision parameter from 1/4 to 1/8 triplets, and to make the delay fit your purpose we even added a Tap–Tempo switch to get you right in time with your tune.
Play it and you´ll buy it!
A lot of famous players are using this pedal. You will see Carlos Santana, Gary Moore, John Mayer, Greg Lake, Steve Morse etc.
Guitar Player Magazine, Pick Award text
GuitarPlayer Toolbox August issue 2003
"T-Rex Replica.
Hand–built in Denmark, the Replica provides up to 2000ms of studio–quality digital delay at an astonishing 200kHz sampling rate by routing input signals directly into and out of RAM via 24–bit Burr Brown A/D/A converters.
And thats not all that distinguishes the Replica from other delays. You can tap–in delay times using the built-in Tap Tempo footswitch (with corresponding rate LED), press the Subdivision switch to generate quarter–note triplets of the selected delay time, and even sync tempo to an external MIDI device using the built–in MIDI input. True bypass switching insulates you from unwanted tone sucking, but in case youd prefer the slightly muffled sound of a 50´s tube tape echo, engaging the Brown circuit (a high–cut filter) will get you there faster than you can say "Duane Eddy."
The Replica not only sounded fabulous with a variety of guitars and amps, but also as a studio processor (its switchable input sensitivity makes it compatible with pro–studio gear). The delays were fat and warm with and without the Brown switch engaged and remained clear and undistorted even at the full two-second delay time.
The built-in AC power supply is another pro touch, and the MIDI input (which actually works) is totally off-the-hook. Knobs for Echo (wet/dry blend), Level, Repeat, and Tempo do just what youd expect.
The Replica is simply one of the best-sounding delays Ive heard in pedal or rack-mount form. Combine that with its over-the-top feature set, and you get a pedal worthy of an Editors Pick award."
Barry Cleveland
Pros: Gorgeous sound. Outrageous feature set. Stage and studio worthy.
Cons: None
Mark Sullivan from daddys.com wrote this:
"The Replica is one of the best sounding delays on the market. Very analog and warm tube sounding yet with a feature set beyond most high tech digital units. Controls consist of Echo knob (wet/dry mix control) Repeat knob (number of repeats) Tempo knob (delay time up to 1500 milliseconds) the Level knob (overall volume) allows for a boost up to 3db, which I found quite useful.
Some of my favorite delays suffer from a drop in volume when engaged, the Replica´s Level knob solves that problem. Also on board is a Brown button (high cut) for a more tube echo sound and a Subdivision button which gives you 1/4–note triplets. A tap–tempo foot switch is to the right of the true bypass switch. The Midi in-jack allows you to sync tempo to clock and remotely switch the unit on/off."
|